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Sourcing vintage is not shopping. It's a different skill entirely — one that takes patience, a trained eye and a willingness to look slowly. Here's what I've learned after years of finding the most considered pieces for my clients and my own home. 1. Know what you're looking for before you go Before any sourcing trip I have a clear sense of what a space needs — the scale, the material direction, the feeling. Not a rigid list, but an intention. That intention guides the eye. 2

Art placement is one of the most overlooked and most transformative decisions in a home. People spend months choosing furniture, weeks selecting paint colors, and then hang art almost as an afterthought — a little too high, a little too isolated, without quite understanding why the room still doesn't feel right. These are the five things I consider before anything goes on a wall. 1. Scale relative to the wall A small piece on a large wall disappears. A large piece on a small

A matched set will always look like it came from a store. A collected one looks like it came from a life. On a console in our own dining room, six small vintage glass pieces — a Murano confetti bowl, a faceted crystal dish, a deep cobalt heart-shaped bowl, a green Murano piece, none of them found together, none of them matching — sit beside a stack of dried flowers, a textured stone bowl, and a portrait painting that's hung there for years. That mix is what makes a space feel